BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Harvard Square Business Association - ECPv6.17.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Harvard Square Business Association
X-ORIGINAL-URL:https://harvardsquare.com
X-WR-CALDESC:Events for Harvard Square Business Association
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260725T200000
DTEND;TZID=America/New_York:20260725T200000
DTSTAMP:20260713T170017Z
CREATED:20260713T170017Z
LAST-MODIFIED:20260713T170017Z
UID:10003143-1785009600-1785009600@harvardsquare.com
SUMMARY:Chandol
DESCRIPTION:$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/
URL:https://harvardsquare.com/event/chandol/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/chandol-tickets_07-25-26_17_6a15b584d864c.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260724T213000
DTEND;TZID=America/New_York:20260724T213000
DTSTAMP:20260716T143601Z
CREATED:20260716T143423Z
LAST-MODIFIED:20260716T143601Z
UID:10003156-1784928600-1784928600@harvardsquare.com
SUMMARY:The Glitter Boys @ The Sinclair
DESCRIPTION:Ages 21 and over \n$15 at the door
URL:https://harvardsquare.com/event/the-glitter-boys-the-sinclair/2026-07-24/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/the-glitter-boys-tickets_03-28-25_17_67a546bd1602a.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260724T203000
DTEND;TZID=America/New_York:20260724T203000
DTSTAMP:20260706T202755Z
CREATED:20260706T202755Z
LAST-MODIFIED:20260706T202755Z
UID:10003091-1784925000-1784925000@harvardsquare.com
SUMMARY:Man Man
DESCRIPTION:Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes: beauty and ugliness\, order and chaos. The songs on Dream Hunting in the Valley of the In-Between\, Man Man’s first album in over six years and his Sub Pop debut\, are as intimate\, soulful\, and timeless as they are audaciously inventive and daring.\n\n\nThe 17-track effort\, featuring “Cloud Nein\,” “Future Peg\,” “On the Mend” “Sheela\,” and “Animal Attraction\,” was produced by Cyrus Ghahremani\, mixed by S. Husky Höskulds (Norah Jones\, Tom Waits\, Mike Patton\, Solomon Burke\, Bettye LaVette\, Allen Toussaint)\, and mastered by Dave Cooley (Blood Orange\, M83\, DIIV\, Paramore\, Snail Mail\, clipping). Dream Hunting…also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only\,” and Rebecca Black (singer of the viral pop hit\, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch\,“ Man Man’s contributions to Vol. 4 of the Sub Pop Singles Club in 2019.\n m
URL:https://harvardsquare.com/event/man-man/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/man-man-tickets_07-24-26_17_69c4718b9c51a.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260723T200000
DTEND;TZID=America/New_York:20260723T200000
DTSTAMP:20260706T201654Z
CREATED:20260706T201654Z
LAST-MODIFIED:20260706T201654Z
UID:10003090-1784836800-1784836800@harvardsquare.com
SUMMARY:Twisted Teens
DESCRIPTION:Twisted Teens is a band from New Orleans. Most musicians make you choose between rock and roll; Twisted Teens would never do that. Their political platform is religious psychosis; their music opens a door to a new universe by shutting all other doors to all other possible universes. “Fans of Raw Power-era Stooges\, Eastern mysticism\, or the punk-to-country pipeline should tuck in” (Atwood Magazine). “Here to put some steel wool type hair on your chest. Gritty\, toothy lofi punk with some stoink on it” (Sims Harden).
URL:https://harvardsquare.com/event/twisted-teens/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/twisted-teens-tickets_07-23-26_17_6a06384945f2b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260721T200000
DTEND;TZID=America/New_York:20260721T200000
DTSTAMP:20260716T145418Z
CREATED:20260716T145418Z
LAST-MODIFIED:20260716T145418Z
UID:10003232-1784664000-1784664000@harvardsquare.com
SUMMARY:Cola @ the Sinclair
DESCRIPTION:$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/ \nDoors open at 7pm\, show starts at 8. \n— \nC.O.L.A. is sort of a self-titled album. It’s an acronym for Cost of Living Adjustment\, a fitting conceptual framework for the band’s third record. Why? Because C.O.L.A. considers\, among other things\, socialism vs. hell. It considers: rolling the dice of life. The eerie and sweet pangs  that nostalgia can provoke. This is not new territory for band members Tim Darcy\, Evan Cartwright\, and Ben Stidworthy. It is\, in Cartwright’s words “a deepening of what we’ve been doing.” C.O.L.A. is an intricate\, beautiful\, and sometimes strange record. It is the band’s most refined offering. A perfection of carefully honed aesthetic impulses.\nCola\, as a band\, says Darcy is defined by its “tasteful minimalism.” A deep appreciation for making music that is romantic\, subtle\, and deceptively intense. C.O.L.A.\, however\, is the band’s most maximalist work to date. This is a little tongue and cheek (“We were so worried\,” says Cartwright\, “About all the songs on this record being too different”). In practice\, this maximalism means that a song like “Hedgesitting\,” has both live drums and a sample drum loop. “Hedgesitting\,” is a gorgeous\, lush song. It’s like a deconstructed\, chopped & screwed b-side from the Cure’s Disintegration. It’s also a little indebted to Sarah Records. “When you were young\,” Darcy sings at the song’s start\, “you came to make it.”\nC.O.L.A.\, like everything written by the band\, is inherently collaborative. The band writes everything separately\, then comes together and works in the studio. Look again to “Hedgesetting\,” to see this in action\, which started out with chords that Darcy had sent\, then the band expanded it together\, with Stidworthy remixing it right before heading to the studio. This division of labor works intuitively. It is a part of the band’s DNA to say\, take an arrangement Stidworthy wrote\, and then have Darcy and Cartwright build upon it. Take “Favoured Over the Ride\,” as an example. “I wanted to create a dusky\, melancholy palette for Tim to write lyrics for\,” says Stidworthy. The song starts with a lonely\, dreamy guitar riff. Then there’s a crisp line of bass and it all comes into focus: “What’s on the ceiling that’s caught your gaze?” sings Darcy. It’s a moment of clarity on a record that is interested abstraction. C.O.L.A. is full of these clarifying moments: where a whole swirl of feelings become so clear that it almost hurts a little bit.\n\nOne of the goals with C.O.L.A. was to have the melody guide the lyrics. This is a distinct shift from the sprechgesang that has been an anchor for many of Darcy’s earlier records. Here\, the vocal melodies are on the same level as all of the other melodies on the record. But the lyrics are no less poetic\, no less precise than anything Darcy has written before (“It’s not\,” he jokes\, “like we’re making a Cocteau Twins song.”) The result is a record  that is ruthlessly aware of all of its parts\, and treats them all as equally important. C.O.L.A. is a record that speaks to itself:  where all of its parts are in direct conversation with each other. Sounds do not blur\, even when they are expansive. It is abstract\, oblique\, sometimes strange\, whatever you want to call it. But it is also beautiful\, in the classic sense. Beautiful like a painting can be beautiful. Really\, really gorgeous. Almost chiseled in the way it plays so deliberately with experimentation. On “Skywriter’s Sigh\,” for example\, things sizzle and flicker. It touches on the sublime. It is Cola\, the band\, at their very best. Cola – Cost of Living Adjustment – Bio\nC.O.L.A. is sort of a self-titled album. It’s an acronym for Cost of Living Adjustment\, a fitting conceptual framework for the band’s third record. Why? Because C.O.L.A. considers\, among other things\, socialism vs. hell. It considers: rolling the dice of life. The eerie and sweet pangs  that nostalgia can provoke. This is not new territory for band members Tim Darcy\, Evan Cartwright\, and Ben Stidworthy. It is\, in Cartwright’s words “a deepening of what we’ve been doing.” C.O.L.A. is an intricate\, beautiful\, and sometimes strange record. It is the band’s most refined offering. A perfection of carefully honed aesthetic impulses.\n\nCola\, as a band\, says Darcy is defined by its “tasteful minimalism.” A deep appreciation for making music that is romantic\, subtle\, and deceptively intense. C.O.L.A.\, however\, is the band’s most maximalist work to date. This is a little tongue and cheek (“We were so worried\,” says Cartwright\, “About all the songs on this record being too different”). In practice\, this maximalism means that a song like “Hedgesitting\,” has both live drums and a sample drum loop. “Hedgesitting\,” is a gorgeous\, lush song. It’s like a deconstructed\, chopped & screwed b-side from the Cure’s Disintegration. It’s also a little indebted to Sarah Records. “When you were young\,” Darcy sings at the song’s start\, “you came to make it.”\nC.O.L.A.\, like everything written by the band\, is inherently collaborative. The band writes everything separately\, then comes together and works in the studio. Look again to “Hedgesetting\,” to see this in action\, which started out with chords that Darcy had sent\, then the band expanded it together\, with Stidworthy remixing it right before heading to the studio. This division of labor works intuitively. It is a part of the band’s DNA to say\, take an arrangement Stidworthy wrote\, and then have Darcy and Cartwright build upon it. Take “Favoured Over the Ride\,” as an example. “I wanted to create a dusky\, melancholy palette for Tim to write lyrics for\,” says Stidworthy. The song starts with a lonely\, dreamy guitar riff. Then there’s a crisp line of bass and it all comes into focus: “What’s on the ceiling that’s caught your gaze?” sings Darcy. It’s a moment of clarity on a record that is interested abstraction. C.O.L.A. is full of these clarifying moments: where a whole swirl of feelings become so clear that it almost hurts a little bit.\n\nOne of the goals with C.O.L.A. was to have the melody guide the lyrics. This is a distinct shift from the sprechgesang that has been an anchor for many of Darcy’s earlier records. Here\, the vocal melodies are on the same level as all of the other melodies on the record. But the lyrics are no less poetic\, no less precise than anything Darcy has written before (“It’s not\,” he jokes\, “like we’re making a Cocteau Twins song.”) The result is a record  that is ruthlessly aware of all of its parts\, and treats them all as equally important. C.O.L.A. is a record that speaks to itself:  where all of its parts are in direct conversation with each other. Sounds do not blur\, even when they are expansive. It is abstract\, oblique\, sometimes strange\, whatever you want to call it. But it is also beautiful\, in the classic sense. Beautiful like a painting can be beautiful. Really\, really gorgeous. Almost chiseled in the way it plays so deliberately with experimentation. On “Skywriter’s Sigh\,” for example\, things sizzle and flicker. It touches on the sublime. It is Cola\, the band\, at their very best.
URL:https://harvardsquare.com/event/cola-the-sinclair/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/cola_03-13-26_19_69b49d49ee0d3-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260721T200000
DTEND;TZID=America/New_York:20260721T200000
DTSTAMP:20260706T201051Z
CREATED:20260706T201051Z
LAST-MODIFIED:20260706T201051Z
UID:10003089-1784664000-1784664000@harvardsquare.com
SUMMARY:Cola
DESCRIPTION:C.O.L.A. is sort of a self-titled album. It’s an acronym for Cost of Living Adjustment\, a fitting conceptual framework for the band’s third record. Why? Because C.O.L.A. considers\, among other things\, socialism vs. hell. It considers: rolling the dice of life. The eerie and sweet pangs  that nostalgia can provoke. This is not new territory for band members Tim Darcy\, Evan Cartwright\, and Ben Stidworthy. It is\, in Cartwright’s words “a deepening of what we’ve been doing.” C.O.L.A. is an intricate\, beautiful\, and sometimes strange record. It is the band’s most refined offering. A perfection of carefully honed aesthetic impulses.\n\nCola\, as a band\, says Darcy is defined by its “tasteful minimalism.” A deep appreciation for making music that is romantic\, subtle\, and deceptively intense. C.O.L.A.\, however\, is the band’s most maximalist work to date. This is a little tongue and cheek (“We were so worried\,” says Cartwright\, “About all the songs on this record being too different”). In practice\, this maximalism means that a song like “Hedgesitting\,” has both live drums and a sample drum loop. “Hedgesitting\,” is a gorgeous\, lush song. It’s like a deconstructed\, chopped & screwed b-side from the Cure’s Disintegration. It’s also a little indebted to Sarah Records. “When you were young\,” Darcy sings at the song’s start\, “you came to make it.”\nC.O.L.A.\, like everything written by the band\, is inherently collaborative. The band writes everything separately\, then comes together and works in the studio. Look again to “Hedgesetting\,” to see this in action\, which started out with chords that Darcy had sent\, then the band expanded it together\, with Stidworthy remixing it right before heading to the studio. This division of labor works intuitively. It is a part of the band’s DNA to say\, take an arrangement Stidworthy wrote\, and then have Darcy and Cartwright build upon it. Take “Favoured Over the Ride\,” as an example. “I wanted to create a dusky\, melancholy palette for Tim to write lyrics for\,” says Stidworthy. The song starts with a lonely\, dreamy guitar riff. Then there’s a crisp line of bass and it all comes into focus: “What’s on the ceiling that’s caught your gaze?” sings Darcy. It’s a moment of clarity on a record that is interested abstraction. C.O.L.A. is full of these clarifying moments: where a whole swirl of feelings become so clear that it almost hurts a little bit.
URL:https://harvardsquare.com/event/cola/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/cola_03-13-26_19_69b49d49ee0d3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260719T200000
DTEND;TZID=America/New_York:20260719T200000
DTSTAMP:20260706T200449Z
CREATED:20260706T200449Z
LAST-MODIFIED:20260706T200449Z
UID:10003088-1784491200-1784491200@harvardsquare.com
SUMMARY:WU LYF
DESCRIPTION:FOR WU LYF\, REFORMATION BEGAN WITHOUT CEREMONY IN IRREGULAR JAM SESSIONS HELD AT BOUND & INFINITY\, AN ESOTERIC BOOKSHOP PERCHED CROWLIKE ABOVE THE REVELRY OF MANCHESTER’S INFAMOUS TIB ST.\nIT WAS HERE—IN THE LIMINAL SPACE BETWEEN THE CEREBRAL AND THE CARNAL— THAT TIB ST. TABERNACLE WAS CONCEIVED: A SIMMERING CRUCIBLE OF MYTHIC IMAGINATION – A PIRATE UTOPIA THAT RAIDS CONSENSUS REALITY AND DISAPPEARS BEFORE IT CAN BE CAPTURED\, MAPPED\, OR SOLD.\nA SPRAWLING ELEVEN-MINUTE RITE OF A SONG\, IT REJECTS PERMANENCE AND POSSESSION\, CONTINUALLY EVOLVING THROUGH THE RISE AND FALL OF COLLECTIVE CATHARSIS TOWARDS A HARROWING FINALE WHERE THE BOUNDARIES BETWEEN THE CONGREGATION DISSOLVE INTO THE DEMOCRACY OF TRANCE.\nWHERE ONCE WU LYF EMBODIED THE RESTLESS ENERGY OF YOUTHFUL DEFIANCE\, THEY NOW CHANNEL SOMETHING MORE REFINED— AN ENDURING FLAME TEMPERED BY THE HUMBLING OF TIME.\nTHEIR CREATIVE PHILOSOPHY HAS EVOLVED FROM REACTIVE PROTEST INTO SOMETHING CLOSER TO WU WEI: EFFORTLESS ACTION\, FLOWING AROUND SYSTEMS OF CONTROL RATHER THAN CONFRONTING THEM HEAD-ON\, AND IN DOING SO\, INSPIRING A RECLAMATION OF POTENTIAL AND PRESENCE.\nFROM THE BEGINNING\, THEIR WORK CARRIED A SOCIAL VISION— AN UNDERCURRENT OF RESISTANCE AGAINST THE ENCROACHING SPECTACLE. IN AN AGE WHERE AUTHENTIC ARTISTIC EXPRESSION IS INCREASINGLY DEVALUED\, DROWNED BENEATH AI-GENERATED CONTENT AND EXPLOITATIVE PLATFORM ECONOMIES\, WU LYF STANDS APART. WHAT MAY ONCE HAVE SEEMED IDEALISTIC NOW STANDS AS NECESSITY.\nTHE SAME APPLIES TO LIVE. IN 2025 WU LYF’S RETURN TO THE STAGE WAS MET WITH OVERWHELMING DEMAND. A SERIES OF INTIMATE RESIDENCIES SOLD OUT IN SECONDS. 3 NIGHTS IN MANCHESTER. 3 NIGHTS IN LONDON. FOLLOWED BY A UNIQUE HEADLINE SHOW AT MANCHESTER INTERNATIONAL FESTIVAL\, PERFORMING IN THE ROUND IN THEIR HOME CITY\, THEN CAME A SUMMER OF FESTIVAL APPEARANCES: TAKING THEIR SHOW TO THE NETHERLANDS\, BRUSSELLS\, GERMANY AND MULTIPLE SHOW IN FRANCE INCLUDING A HEADLINE SLOT AT THE MIDI FESTIVAL. THE SUMMER ENDED WITH A SECRET CLOSING SET AT THE END OF THE ROAD FESTIVAL IN DORSET. AS THE COMMUNITY GROWS\, SO DO THE STAGES\, AND 2026 WILL SEE THEM BRING MORE RESIDENCIES TO FURTHER AWAY LOCATIONS\, PLUS THEIR LARGEST FESTIVAL HEADLINE SHOWS TO DATE.\nALL THEIR WORK IS RELEASED INDEPENDENTLY THROUGH LYF RECORDINGS\, SUSTAINED BY A MEMBERSHIP COMMUNITY VIA WORLDUNITE.ORG. TO PARTICIPATE IS TO TAKE PART IN THE CULTIVATION OF AN ALTERNATIVE CULTURE AND AN OPEN INVITATION TO HELP WRITE THE NEXT CHAPTER IN THE BOOK OF LYF.\nWU LYF ARE ELLERY JAMES ROBERTS\, EVANS KATI\, TOM MCCLUNG AND JOE MANNING.
URL:https://harvardsquare.com/event/wu-lyf/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/wu-lyf_01-17-26_19_696ad9f1069c4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260718T193000
DTEND;TZID=America/New_York:20260718T193000
DTSTAMP:20260716T144406Z
CREATED:20260716T144351Z
LAST-MODIFIED:20260716T144406Z
UID:10003230-1784403000-1784403000@harvardsquare.com
SUMMARY:The Saddest Landscape @ the Sinclair
DESCRIPTION:Join Saddest Landscape at the Sinclair on Saturday for the Alone with Heaven Release Tour! \nDoors open at 6:30\, with the show starting at 7:30. \nThe Saddest Landscape have been perfecting their balance of frantic hardcore and cathartic vulnerability for over 20 years and return with a double LP on Iodine Recordings in 2026. \nTheir first new music in a decade\, the full length dives fearlessly into themes of survival\, grief\, the ache that follows\, and the fragile hope that keeps us pushing through the dark. These songs exist in the place where the things not said aloud dwell\, where memory turns to ash\, where love outlives the wreckage. \nRecorded with Steve Albini and Jack Shirley\, the double LP moves between songs and instrumental passages\, shaped by memory\, endurance\, and hope. Guest appearances from Julien Baker\, Jeremy Bolm\, and Evan Weiss appear across select tracks. \nOne of the most enduring voices in modern post-hardcore\, The Saddest Landscape have returned after a decade\, making sure we’re still alive. \n$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/
URL:https://harvardsquare.com/event/the-saddest-landscape-the-sinclair/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/the-saddest-landscape-tickets_07-18-26_17_6a1780b4b3722-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260718T193000
DTEND;TZID=America/New_York:20260718T193000
DTSTAMP:20260706T200153Z
CREATED:20260706T200153Z
LAST-MODIFIED:20260706T200153Z
UID:10003087-1784403000-1784403000@harvardsquare.com
SUMMARY:The Saddest Landscape
DESCRIPTION:The Saddest Landscape have been perfecting their balance of frantic hardcore and cathartic vulnerability for over 20 years and return with a double LP on Iodine Recordings in 2026. \nTheir first new music in a decade\, the full length dives fearlessly into themes of survival\, grief\, the ache that follows\, and the fragile hope that keeps us pushing through the dark. These songs exist in the place where the things not said aloud dwell\, where memory turns to ash\, where love outlives the wreckage. \nRecorded with Steve Albini and Jack Shirley\, the double LP moves between songs and instrumental passages\, shaped by memory\, endurance\, and hope. Guest appearances from Julien Baker\, Jeremy Bolm\, and Evan Weiss appear across select tracks. \nOne of the most enduring voices in modern post-hardcore\, The Saddest Landscape have returned after a decade\, making sure we’re still alive
URL:https://harvardsquare.com/event/the-saddest-landscape/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/the-saddest-landscape-tickets_07-18-26_17_6a1780b4b3722.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260717T213000
DTEND;TZID=America/New_York:20260717T213000
DTSTAMP:20260716T143601Z
CREATED:20260716T143423Z
LAST-MODIFIED:20260716T143601Z
UID:10003155-1784323800-1784323800@harvardsquare.com
SUMMARY:The Glitter Boys @ The Sinclair
DESCRIPTION:Ages 21 and over \n$15 at the door
URL:https://harvardsquare.com/event/the-glitter-boys-the-sinclair/2026-07-17/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/the-glitter-boys-tickets_03-28-25_17_67a546bd1602a.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260717T210000
DTEND;TZID=America/New_York:20260717T210000
DTSTAMP:20260706T195741Z
CREATED:20260706T195741Z
LAST-MODIFIED:20260706T195741Z
UID:10003086-1784322000-1784322000@harvardsquare.com
SUMMARY:Off Campus Night
DESCRIPTION:
URL:https://harvardsquare.com/event/off-campus-night/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/off-campus-night-tickets_07-17-26_17_6a15e6eec839d.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260716T200000
DTEND;TZID=America/New_York:20260716T230000
DTSTAMP:20260716T143035Z
CREATED:20260716T143035Z
LAST-MODIFIED:20260716T143035Z
UID:10003154-1784232000-1784242800@harvardsquare.com
SUMMARY:Lil Shine @ The Sinclair
DESCRIPTION:$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/
URL:https://harvardsquare.com/event/lil-shine-the-sinclair/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/lil-shine_06-12-26_19_6a2c2619c607e.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260715T200000
DTEND;TZID=America/New_York:20260715T200000
DTSTAMP:20260706T195418Z
CREATED:20260706T195418Z
LAST-MODIFIED:20260706T195418Z
UID:10003085-1784145600-1784145600@harvardsquare.com
SUMMARY:WILLIS
DESCRIPTION:
URL:https://harvardsquare.com/event/willis/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/willis-tickets_07-15-26_17_69ea3d1bd601a.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260711T220000
DTEND;TZID=America/New_York:20260711T220000
DTSTAMP:20260706T171112Z
CREATED:20260706T171112Z
LAST-MODIFIED:20260706T171112Z
UID:10003084-1783807200-1783807200@harvardsquare.com
SUMMARY:Fruitstand Presents: Eurosummer
DESCRIPTION:ARE THEY GAY OR JUST EUROPEAN?  🏝️🍹⛱️🌞🌊 \n  \nBarbie girls\, gays\, and theys\, it’s time to 🙌 pump up the jam and go around the 🌍 world (la la la la la) for Fruitstand presents 🍋 Eurosummer. we’ll have TWINEM and DJ Frazzo spinning your favorite 💶 euro hits from the 90s to now\, including Vengaboys\, Alice Deejay\, Darude\, Kylie Minogue\, Shakira\, Rina Sawayama\, and more. plus\, Brae The Fallen will be showing us the 💃 rhythm of the 🌑 night with a hi-nrg drag performance. alors 🪩on danse! \n  \n$15 cash cover\, $10 for first 100 RSVPs.\n21+ full bar. consent is sexy. this event will have flashing lights. \n 
URL:https://harvardsquare.com/event/fruitstand-presents-eurosummer/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/fruitstand-presents-eurosummer-tickets_07-11-26_17_6a33003ec1760.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260711T180000
DTEND;TZID=America/New_York:20260711T180000
DTSTAMP:20260706T165310Z
CREATED:20260706T165310Z
LAST-MODIFIED:20260706T165310Z
UID:10003083-1783792800-1783792800@harvardsquare.com
SUMMARY:Earlybirds Club
DESCRIPTION:Earlybirds Club is a dance party for women and gender-expansive people that starts at 6pm and ends at 10pm — because we have sh*t to do in the morning! \nAt New Wave Night\, we’re diving headfirst into the moody\, synth-drenched side of the ’80s. Think Depeche Mode\, The Cure\, New Order\, Tears for Fears\, Talking Heads\, Siouxsie\, The Smiths\, Eurythmics\, Blondie — the songs that made you feel misunderstood in the most glamorous way possible. \nThis is eyeliner-as-armor energy and a room full of people who know every single word to “Just Can’t Get Enough.” If you’ve ever had a spiritual experience during a Depeche Mode bridge\, you’re among friends. \nAll-black outfits welcome. Doc Martens encouraged. Comfy shoes still undefeated. \nEarlybirds Club is more than a night out — it’s a judgment-free\, joy-forward space where kindness\, good vibes\, and sensible footwear rule. Come as you are — there’s plenty of room on the dance floor for everyone. \n10% of ticket proceeds go to the Susie Lee Legacy Fund\, supporting nonprofits that uplift women\, gender-expansive people\, and communities who need it most. Every ticket helps fund something bigger. \nNote: Earlybirds Club is designed for women and gender-expansive people. Everything about this space — the energy\, the music\, the intention — is centered on that community. We don’t police identity at the door\, but we ask that everyone who purchases a ticket understands and respects what this space was created for. \nBy purchasing tickets\, you consent to event photography and video for promotional use. \n$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/
URL:https://harvardsquare.com/event/earlybirds-club/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/07/earlybirds-club-tickets_07-11-26_17_69fca7c095ca0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260710T200000
DTEND;TZID=America/New_York:20260710T200000
DTSTAMP:20260612T180115Z
CREATED:20260612T180115Z
LAST-MODIFIED:20260612T180115Z
UID:10002989-1783713600-1783713600@harvardsquare.com
SUMMARY:The Smiths Tribute (NYC)
DESCRIPTION:“Head back to the ʼ80s with the ultimate indie rock band…and jam out to a guy who acts and sounds just like Morrissey” – Thrillist \nThe Smiths Tribute NYC features former members of The Sons & Heirs\, who built an extensive following through sold-out shows from Tel Aviv to Austin to Los Angeles\, with press acclaim from the New York Times\, New Yorker\, WIRED\,  and Rolling Stone’s Rob Sheffield. \nThe band has shared the stage with many special guests including Morrissey’s long-time drummer Spencer Cobrin\, Doug Gillard (Guided By Voices\, Nada Surf) and late Smiths’ bassist Andy Rourke\, who remarked to a journalist “these guys love the band\, and they’re very passionate about it. \n“The way this singer captured everything about Morrissey was messing with my mind” – WIRED \n“Almost as good as the real thing! They do it seriously\, but without taking themselves too seriously. Lots of fun!” – Ticketmaster review (Bowery Ballroom 2023)
URL:https://harvardsquare.com/event/the-smiths-tribute-nyc/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/the-smiths-tribute-nyc-tickets_07-10-26_17_69615e7391edd.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260709T200000
DTEND;TZID=America/New_York:20260709T200000
DTSTAMP:20260612T175645Z
CREATED:20260612T175645Z
LAST-MODIFIED:20260612T175645Z
UID:10002988-1783627200-1783627200@harvardsquare.com
SUMMARY:Jejune
DESCRIPTION:The San Diego via Boston alt trio that disappeared before most folks caught on. Jejune\, formed at Berklee College of Music in 1996 and relocating to San Diego\, spent years building a sound that owed as much to dream pop as it did to the emo scene they were part of. Male-female dual vocals\, guitars that shifted from jangly to blown-out\, songs that hit harder than anything around them at the time. Putting out two genre-defining records on Big Wheel Recreation\, Junk and This Afternoon’s Malady\, a split with Jimmy Eat World\, and then abruptly breaking up in the year 2000\, leaving the world to catch up. The world did. The records lived on in record collections and passed between fans like a secret worth keeping — and a younger generation found them just as hungry for it as anyone who was there the first time around. Now\, after a successful run through Japan on the Sakura Nights tour and some excellent record reissues courtesy of The Numero Group\, the emo indie rockers are back and touring the U.S. for the first time in over twenty-five years. All three original members. All the songs. No excuses to miss it.
URL:https://harvardsquare.com/event/jejune/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/jejune_04-03-26_19_69d03068ee7fd.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260708T190000
DTEND;TZID=America/New_York:20260708T190000
DTSTAMP:20260612T174532Z
CREATED:20260612T174532Z
LAST-MODIFIED:20260612T174532Z
UID:10002987-1783537200-1783537200@harvardsquare.com
SUMMARY:Buck Meek
DESCRIPTION:Buck Meek – Haunted Mountain \nFor his latest solo album\, Buck Meek\, lead guitarist of Big Thief\, went back to Texas – to the \nborder town of Tornillo 560 miles from his hometown of Wimberley – to record Haunted \nMountain. The band – Buck (guitar\, vocals)\, Adam Brisbin (guitar)\, Austin Vaughn (drums)\, Ken \nWoodward (bass)\, Mat Davidson (pedal steel\, vocals)\, and Dylan Meek (keys) – recorded the \neleven songs that make up Haunted Mountain over the course of two weeks at Sonic Ranch \nstudio. The album was produced by Davidson and engineered and mixed by Adrian Olsen. The \nalbum follows Meek’s 2018 self-titled debut and 2021’s Two Saviors\, with records as a part of \nBig Thief in-between – U.F.O.F. and Two Hands (2019)\, and Dragon New Warm Mountain I \nBelieve In You (2022).
URL:https://harvardsquare.com/event/buck-meek/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/buck-meek_02-11-26_19_698cebb6dedbb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260707T200000
DTEND;TZID=America/New_York:20260707T200000
DTSTAMP:20260612T141132Z
CREATED:20260612T141132Z
LAST-MODIFIED:20260612T141132Z
UID:10002983-1783454400-1783454400@harvardsquare.com
SUMMARY:Tiny Desk Contest On The Road 2026
DESCRIPTION:NPR’s Tiny Desk Contest is back on the road in 2026! Join us this summer as we travel across the country for a one-of-a-kind concert\, featuring the Contest winner plus two up-and-coming artists from each city. \nThis year’s winner is Cure For Paranoia\, the genre-bending project of Dallas-based rapper Cameron McCloud and friends\, a dynamic group whose music is playful and political. McCloud started Cure For Paranoia to share the therapeutic experience that “creating music with his people” offered him. A pre-school teacher by day\, he posted a new rap every day on social media for all of 2025 \nOpening acts to be announced soon! \n$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/
URL:https://harvardsquare.com/event/tiny-desk-contest-on-the-road-2026/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/png:https://harvardsquare.com/wp-content/uploads/2026/06/tiny-desk-contest-on-the-road-2026-tickets_07-07-26_17_69cd774607351.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260630T193000
DTEND;TZID=America/New_York:20260630T193000
DTSTAMP:20260610T202806Z
CREATED:20260610T202806Z
LAST-MODIFIED:20260610T202806Z
UID:10002982-1782847800-1782847800@harvardsquare.com
SUMMARY:Tortoise
DESCRIPTION:Simply put\, Tortoise has spent nearly 25 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub\, rock\, jazz\, electronica and minimalism throughout its revered and influential six-album discography\, the resulting sounds have always been distinctly\, even stubbornly\, their own. \nIt’s a fact that remains true on “The Catastrophist\,” Tortoise’s first studio album in nearly seven years. And it’s an album where moody\, synth-swept jams like the opening title track cozy up next to hypnotic\, bass-and-beat missives like “Shake Hands With Danger” and a downright strange cover of David Essex’s 1973 radio smash sung by U.S. Maple’s Todd Rittmann. Throughout\, the songs transcend expectations as often as they delight the eardrums. \nTortoise\, comprised of multi-instrumentalists Dan Bitney\, John Herndon\, Doug McCombs\, John McEntire and Jeff Parker\, has always thrived on sudden bursts of inspiration. And for “The Catastrophist\,” the spark came in 2010 when the group was commissioned by the City of Chicago to compose a suite of music rooted in its ties to the area’s noted jazz and improvised music communities.
URL:https://harvardsquare.com/event/tortoise/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/tortoise-tickets_06-30-26_23_6a15ece0475bc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260628T190000
DTEND;TZID=America/New_York:20260628T190000
DTSTAMP:20260610T202645Z
CREATED:20260610T202645Z
LAST-MODIFIED:20260610T202645Z
UID:10002981-1782673200-1782673200@harvardsquare.com
SUMMARY:Bixby
DESCRIPTION:Bixby is a Los Angeles–based singer\, songwriter\, and producer blending shimmering alt-pop\, soaring falsettos\, and emotionally charged hooks. His breakout single endlessly caught the attention of Dylan Brady of 100 gecs\, leading to the release of his 2023 EP are you sleeping alone again? – a collection of sticky alt-pop anthems and intimate ballads – on Brady’s Atlantic Records imprint Dog Show. \nIn 2024\, Bixby released Distance\, a euphoric summer track with a Power Rangers–inspired music video. The song became his fastest-growing release\, topping a million streams in its first month and reaching #34 on Japan’s Shazam chart. He followed up with Desire (produced by Dylan Brady) and Darling He Lied (featuring Starfall) – a viral breakup ballad that sparked tens of thousands of TikTok videos across Southeast Asia. \nFollowing a pair of elevated R&B bangers with longtime collaborator Joshwa (whyy\, you know) in 2025\, Bixby began rolling out his most fully realized music yet. After crushing his debut performance at 88rising’s Head in the Clouds and a tour in Asia\, Bixby released Feel It on in early 2026 – the first single off his long awaited debut album. He will embark on a headline NA tour Summer 2026.
URL:https://harvardsquare.com/event/bixby/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/bixby_03-02-26_19_69a604a5a4af6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260626T190000
DTEND;TZID=America/New_York:20260626T190000
DTSTAMP:20260610T201602Z
CREATED:20260610T201602Z
LAST-MODIFIED:20260610T201602Z
UID:10002980-1782500400-1782500400@harvardsquare.com
SUMMARY:Greg Mendez
DESCRIPTION:Greg Mendez has always been an economical songwriter – he wields restraint and simplicity as tools\, the core of his songs sharpened into simple\, cutting truths. On Beauty Land\, his new album and debut LP for Dead Oceans\, we’re guided by a wry but forgiving narrator\, an underdog who has learned to balance cynicism and faith. These songs are self-effacing without self-pity\, carefully constructed altars of imperfection channeled through pop melodies\, shimmering but urgent guitars\, and a voice that reaches for choir boy innocence. \n  \nThe bulk of Beauty Land was recorded directly to tape\, almost entirely alone in Mendez’s makeshift home studio in Philadelphia – a small room with no natural light. It’s his first full length since his unexpected self-titled breakthrough in 2023\, which was a slow burn success following 15 years of writing and recording music in relative obscurity between Philly and New York. Beauty Land picks up where we left off three years ago – plumbing the depths of grief\, love\, and addiction – but its intense\, quiet clarity shows Mendez at his songwriting best.
URL:https://harvardsquare.com/event/greg-mendez/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T190000
DTEND;TZID=America/New_York:20260625T190000
DTSTAMP:20260610T200629Z
CREATED:20260610T200629Z
LAST-MODIFIED:20260610T200629Z
UID:10002979-1782414000-1782414000@harvardsquare.com
SUMMARY:Ryan Davis & The Roadhouse Band
DESCRIPTION:New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn.\n\nNext month\, the Roadhouse Band will play a handful of dates in the Midwest and South\, with a robust UK and EU tour to follow. Today’s newly announced dates will bring the band to additional cities in the South and Midwest\, as well as cities on the West Coast. A full list of dates is available below.\n\n“New Threats from the Soul [is] a beautiful and wildly smart record about making do in an upside-down world.” — Amanda Petsurich\, The New Yorker\n\n“If you don’t know it yet\, it’s my privilege to tell you that Ryan Davis is one of the greatest songwriters of his generation.” — Nathan Salsberg\n\nRead Less
URL:https://harvardsquare.com/event/ryan-davis-the-roadhouse-band/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/ryan-davis_03-02-26_24_69a603d321b81.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260624T190000
DTEND;TZID=America/New_York:20260624T190000
DTSTAMP:20260610T195648Z
CREATED:20260610T195648Z
LAST-MODIFIED:20260610T195648Z
UID:10002978-1782327600-1782327600@harvardsquare.com
SUMMARY:Of Montreal
DESCRIPTION:On of Montreal’s seminal album The Sunlandic Twins\, songwriter and multi-instrumentalist Kevin Barnes followed up their 2004 Polyvinyl debut\, Satanic Panic in the Attic\, with what became the band’s most commercially successful album to date. Originally released in April 2005\, The Sunlandic Twins marked a significant turning point for Montreal\, showcasing Barnes’ evolving songwriting and a shift towards a more electronic and dance-oriented sound. The album’s vibrant blend of synth-pop and psych rock helped cement its status as a fan favorite and a defining moment in the band’s career. Iconic tracks like “Wraith Pinned to the Mist and Other Games” and “The Party’s Crashing Us” became some of the most beloved songs in the band’s extensive catalog.
URL:https://harvardsquare.com/event/of-montreal/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/of-montreal_11-21-24_19_673e884f8de92.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260621T190000
DTEND;TZID=America/New_York:20260621T190000
DTSTAMP:20260610T195340Z
CREATED:20260610T195333Z
LAST-MODIFIED:20260610T195340Z
UID:10002977-1782068400-1782068400@harvardsquare.com
SUMMARY:PawPaw Rod
DESCRIPTION:PawPaw Rod\, the Hawaii-born\, Oklahoma-raised rapper and singer\, discovered his passion for music and writing during his upbringing as a military brat. Moving frequently\, he found solace in the familiar sounds of his favorite records. When speaking on his artistry\, he explains that during his formative years in Norman\, OK\, “There was an absence of a dominant or regional sound\, especially for black artists. This afforded me the freedom to pull from everything\, crucially shaping my music today\, a credit I attribute to my childhood experiences of moving around various cultures and tribes.” PawPaw Rod grew up on a steady diet of Maxwell\, Prince\, The Gap Band\, and Bill Withers. He first caught the performance bug singing in church\, sharing that “ever since that first time singing on stage\, I knew I would forever be on a journey of chasing that feeling.” \nPawPaw Rod released his explosive debut single\, “HIT EM WHERE IT HURTS\,” in 2020\, seamlessly merging hip-hop\, 60s soul\, funk\, and alternative. \nAcross four EPs — A PawPaw Rod EP (2021)\, Another PawPaw Rod EP (2022)\, This Must Be a PawPaw EP (2023)\, and Doobie Mouth (2024) — Rod has cultivated a catalog that has now surpassed 200M streams and drawn critical praise from outlets like Complex\, FADER\, GQ\, Nylon\, and Rolling Stone. His 2024 project Doobie Mouth arrived ahead of his first North American headline tour. \nAs a live performer\, Rod has appeared on some of the biggest festival stages including Lollapalooza\, Lightning in a Bottle\, Austin City Limits\, and Coachella — where he joined Neil Frances in 2024 and Polo & Pan in 2025. \nRod’s music has resonated across screens\, featured in shows like Netflix’s Outer Banks\, Apple TV+’s Platonic\, and HBO’s Insecure\, as well as major campaigns for Apple and Nike. In 2024\, he was one of the faces of GAP’s global “Give Your Gift” holiday campaign\, appearing in stores and on billboards worldwide. His music has also reached fans through syncs in MLB The Show and Fortnite Radio.
URL:https://harvardsquare.com/event/pawpaw-rod/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/pawpaw-rod-tickets_06-21-26_23_699604560b522.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260620T190000
DTEND;TZID=America/New_York:20260620T190000
DTSTAMP:20260610T194928Z
CREATED:20260610T194928Z
LAST-MODIFIED:20260610T194928Z
UID:10002976-1781982000-1781982000@harvardsquare.com
SUMMARY:Son Little
DESCRIPTION:Son Little\, praised by American Songwriter as “one of the best songwriters working today\,” conceived his latest album\, Like Neptune\, in a cabin overlooking the Delaware River in upstate New York. Trading in the existential dread permeating his previous work for unbridled joy and self-acceptance\, Son Little transmutes the chronic pain of self-doubt into a beautiful and freeing opus about overcoming generational trauma. Hailed by Afropunk as “a stunning statement of purpose\,” Like Neptune decorates the altar of the primordial blues and elevating the labor of healing to high art. “I’ve always felt as though I was making music because I had to\, something inside compelled me. Fueled me\,” Little shared. “This the first time in a long time I’m making music for the pure joy of creating.” Son Little and his band\, comprised of Little on vocals/guitar\, Steve McKie (drums)\, and DeShawn Alexander (keys/bass)\, will tour North America for the first time support of Like Neptune through November and December\nRead Less
URL:https://harvardsquare.com/event/son-little/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/son-little-tickets_06-20-26_17_6a0638cc52a80.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260619T193000
DTEND;TZID=America/New_York:20260619T193000
DTSTAMP:20260610T194700Z
CREATED:20260610T194700Z
LAST-MODIFIED:20260610T194700Z
UID:10002975-1781897400-1781897400@harvardsquare.com
SUMMARY:I Am The Avalanche
DESCRIPTION:$.25 from each ticket purchased will go to The Shout Syndicate\, a Boston-based\, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation\, The Shout Syndicate works in partnership with the Mayor’s Office of Arts & Culture’s creative plan\, Boston Creates. https://www.theshoutsyndicate.com/
URL:https://harvardsquare.com/event/i-am-the-avalanche/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/i-am-the-avalanche-tickets_06-19-26_17_69a9adfad2c72.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T190000
DTEND;TZID=America/New_York:20260618T190000
DTSTAMP:20260610T194515Z
CREATED:20260610T194515Z
LAST-MODIFIED:20260610T194515Z
UID:10002974-1781809200-1781809200@harvardsquare.com
SUMMARY:Jake Worthington
DESCRIPTION:For Big Loud Texas traditionalist Jake Worthington\, country music is in his DNA. The La Porte\, Texas native was raised on his grandfather’s porch performances of Ray Price\, Merle Haggard and George Jones\, and soon picked up his own Gibson acoustic to realize the breadth of his soon-to-be-classic\, wide\, and wild voice. Now\, Worthington breathes fresh life into dance halls\, beer joints\, and ballrooms from Texas to Tennessee with his growing catalog – his sophomore album When I Write The Song is out now with Miranda Lambert collaboration “Hello Shitty Day\,” “I’m The One (feat. Marty Stuart)\,” viral “It Ain’t The Whiskey” and more. Captivating the masses with his honky-tonk stylings\, the singer-songwriter hits the road this fall joining Zach Top as direct support on all dates of the Cold Beer & Country Music Tour followed by supporting slots on Jon Pardi’s Honkytonk Hollywood Tour. “I believe in country music as much as I believe in my next breath\,” Worthington declares\, and “blame it on my raising\, but I think there ought to be room for country in country music.”
URL:https://harvardsquare.com/event/jake-worthington/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/jake-worthington_02-11-26_19_698cb052e606b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T190000
DTEND;TZID=America/New_York:20260617T190000
DTSTAMP:20260610T194317Z
CREATED:20260610T194317Z
LAST-MODIFIED:20260610T194317Z
UID:10002973-1781722800-1781722800@harvardsquare.com
SUMMARY:Rostam
DESCRIPTION:Rostam is a GRAMMY® Award-winning songwriter\, producer\, and composer. One of the founding members of Vampire Weekend and producer of their first three albums\, he has been described as one of the great pop and indie-rock producers of his generation\, having produced for some of the most important artists of the last decade including Frank Ocean\, Clairo\, Charli XCX\, Maggie Rogers\, HAIM\, Solange\, Lykke Li\, Santigold\, Carly Rae Jepsen\, Hamilton Leithauser and many others. In recent years\, he has maintained an astonishingly varied and intensely busy career\, releasing two critically acclaimed solo albums—2017’s Half-Light and 2020’s Changephobia—while also producing records for HAIM (2020’s Women in Music Pt. III\, nominated for Album of the Year at the 63rd GRAMMY® Awards and 2025’s I quit\, nominated for Best Rock Album at the 68th GRAMMY® Awards)\, Clairo (2019’s Immunity)\, Vagabon (2023’s Sorry I Haven’t Called)\, Leith Ross (2025’s I Can See the Future)\, and Georgia (2023’s Euphoric)\, as well as composing for film and television\, including 2016’s The OA and 2023’s The Persian Version. This year\, Rostam released his original version of Vampire Weekend’s beloved single “Campus”. His third studio album American Stories arrives on May 15. The album’s first single “Like a Spark” is out now.
URL:https://harvardsquare.com/event/rostam/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/rostam-tickets_06-17-26_17_69aedd4b581fe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260616T190000
DTEND;TZID=America/New_York:20260616T190000
DTSTAMP:20260610T194129Z
CREATED:20260610T194129Z
LAST-MODIFIED:20260610T194129Z
UID:10002972-1781636400-1781636400@harvardsquare.com
SUMMARY:Jessica Baio
DESCRIPTION:Jessica Baio is a California-born\, Utah-based pop singer-songwriter whose career began with viral YouTube covers and has since grown into millions of streams worldwide. The 10K Projects artist\, who was founded through her two EPs “catalyst” and “petals” that featured breakout tracks “trust issues” and “he love me\, he loves me not” propelled her into the creation of her debut album UNSAID (2024). The album furthermore showcased her raw\, emotionally honest songwriting and launched her debut sold-out North American tour. The tour culminated with a special performance at ULTRA Music Festival alongside Steve Aoki and Trippie Redd for their single “Radio.” With a massive online following and a reputation for authenticity\, Baio is quickly emerging as a new face in pop.
URL:https://harvardsquare.com/event/jessica-baio/
LOCATION:The Sinclair\, 52 Church St\, Cambridge\, Cambridge\, MA\, 02138\, United States
CATEGORIES:Live Music
ATTACH;FMTTYPE=image/jpeg:https://harvardsquare.com/wp-content/uploads/2026/06/jessica-baio-tickets_06-16-26_23_69811be31d1b7.jpg
END:VEVENT
END:VCALENDAR